Here are the five categories I judge on, and my explanation
for each category:
10 – Choreography: There are basically two ways
to dance, as I see it. There’s freestyling, which is the root of all
dance, but unfortunately not as common ABDC. Then there are
performances. Performances are further broken up into two parts.
“Wow” moments which are meant to keep your memory on that routine, and
“Choreography” which is everything else. This section looks at how good
the choreography wise – this is musicality wise, how much swagger, how
complicated, etc. “Choreography” is basically any coordinated dance
movement of the crew’s members outside those moments, be it newstyle, or any
other street style. Crews with better foundation and technique, as well as more
complicated/difficult choreography will get higher scores.
10 – Wow Moments: As explained above, Wow moments are when you create a
moment that sticks in people’s minds. This can either be tricks, to crazy
isolations, to pretty much any singular moment that defines the piece.
However, if we see the wow moment coming, that takes away from its
impact. The way you build up into the moment is just as important as the
moment. Also, overloading your performance with nothing but Wow moments takes
away from its impact. Difficulty is also taken into consideration.
10 – Showmanship: This is a variety of things. Almost a
miscellaneous category if you will. Just off the top of my head, this
includes: Appropriate Energy Level, Emotion Conveyed, Stage Use, Blocking/Framing,
Transitions, Concept, Levels, Story Telling, Cleanness, Musicality, Pacing, Any
real small thing that adds to the performance as a whole. If I haven’t defined
something above and I use it in the category, I will mention it in that
particular section
10 – Challenge: How well did the crew A)execute their challenge B)complete
it creatively, and C) incorporate it throughout the performance rather than
just simply do it once and have it seem out of place. Also, prop
challenges are usually much more difficult inherently, so those give crews a +1
to their overall score.
10 - Improvement: Usually this would be to see how well crews improve each
week and work on their problems because one common theme of good crews on ABDC
is constant improvement. Just for reference: 7 means no
improvement. More means improvement, less means did worse. The
rationale is that on ABDC, crews that show that they keep giving better and
better performances tend to do better overall.
This week, since we don’t have a challenge, and there’s
nothing for them to improve on, I’m going to judge “Improvement” as “First
Impression,” and not include challenge at all, giving a Total Points this week
of 40.
Just for reference: 10 is perfect. 7 is average. 5 is barely passable. Anything below that is… very weak. So Average would be a 35 (or 28 this week), for reference. I guess I developed this scale from the academic scoring system where 7 is average, and getting a 9 is a pretty big deal. It’s rare for me to give out things below 5, or perfect 10s.
Just for reference: 10 is perfect. 7 is average. 5 is barely passable. Anything below that is… very weak. So Average would be a 35 (or 28 this week), for reference. I guess I developed this scale from the academic scoring system where 7 is average, and getting a 9 is a pretty big deal. It’s rare for me to give out things below 5, or perfect 10s.
As with any other human, I have biases and such that I try
to compensate for. As is the case, I will try to adjust my score by adding or
subtracting points where I have had a pre-determined bias. For this particular
episode, I went into the season with a bias for Mos Wanted Crew, given how a
lot of them have influenced my own personal style of dance. In each case, I
will add/subtract half a point in each respective case to help bring my
opinions to a more objective standard. As the season goes on, this bias may
change as I grow more accustomed to crews.
Overall Performance
I’m not gonna spend much time here, except to express my
annoyance that the camera was focusing way too much on Flo Rida. Yes he’s here,
but at least let the crews get their spotlight.
Elektrolytes (Club Can’t Handle Me)
Choreography – 6 – The biggest issue I had with Elektrolytes
is their choreography, or rather lack thereof. Yes I will admit thy wer very
talented in their stunts. However, the in between choreography was lacking in
two key components – difficulty and foundation. Aside from the stunts, a lot of
the “choreography” was at a very elementary, somewhat repetitive nature (the
simple top rock shuffle forward, repetitive tutting angles, hitting the feet
like drums, shuffling). When they tried to do some more street style inspired
stuff, aside from a little bit of footwork, there was weak foundations (lazy
shuffling, bad angles on the tutting, poor locking position). And for a lot of
the sound effect riffs, their choice of move was to “shake violently,” which at
this level of competition is too simple to be
considered at the same level as the others.
Wow – 8 – I can’t say that they don’t have creativity or
uniqueness when it comes to wow moments. And, even if I don’t like it when
crews spam their stunts, I still found
all their “moments” different and unique enough that it was still entertaining.
Obviously there is their signature “tower” flip. The variation of the over
under with a mid-air running man. The highlighted one handed handspring was
cool. For me the real highlight was the headslide ripple, even if the b-twist
was a bit low by most standards. Overall there was good variety enough with
high difficulty.
Showmanship - 6 –
They did use the stage well, and were pretty energetic. However, the transtions
were pretty weak, mostly focused on walking from place to place, or a very
generic shuffle-trot into line. Their
framing/blocking were hit and miss. Maybe it was just the camera angles, but I
feel that a lot of the routine was too must “posing.” It’s good to have some pauses,
but too much is a problem. You should be moving and not standing still unless
it’s for contrast.
First Impression – 6 – Overall, given their rank as first in
the US HHI, I was a bit disappointed, in both their lack of foundation and
difficulty. While stunts are great, I really hope in the future they focus on
the dance aspect in addition to the stunts.
Total – 26
Highlight – The head ripple. Very very very dope.
Advice – Work on foundations. Keep tuts sharp, locking
positions locked, and step up the difficulty level of your choreography to at
least match everyone else’s. Stunts are awesome, but a moment in a routine must
only be that – a moment. Sometimes it only takes a little bit of sauce to bring
out the flavor in some food. Drowning it in sauce takes away from the appeal.
RNG (Right Round)
Choreo – 8 – RNG is almost the opposite of Elektrolytes,
where they shine really well in their choreography as opposed to illusions or
stunts. Their musicality was on point, as was their body control, to shift
between different speeds fairly instantaneously. They’ve got a very “grimy”
style, but not in a messy sense, with even a little bit of femme mixed in there.
If it seemed like they were over the place, I think it was more of the camera angles.
Especially in the first half, right after the tire screech, on that down riff,
when they hit every beat, which is impressive.
Wow – 6 – Like DTrix said, this isn’t their strong point.
However, there are still things they could do in order to be impressive that
don’t need flips. Being smart about their choreography, and changing the
dynamic of their routines within a single performance, as a suggestion.
Showmanship – 7 – Overall they were pretty much on point.
They did spread out and use the stage at most points, and they changed their
formations well, without it being to noticeable, which si a good thing. I will
say that for a majority of the routine they could have been a bit more spaced
out so we could see all their little movements, especially during the dubstep
section. Otherwise,they had some clever things, with the use of their levels to
“go down down,” the Request shoutout for “king of the club,” and so on. Their
energy and expressions matched well with the “mood” of the song.
First Impression - 7
– Overall, I would say RNG matched my expectations. Excellent choreography and
control. I’ll say they have several options for them as to the “role” or “path”
they take on the show, but they have to find ways to play “smart” with their
routines.
Total – 28
Highlight – Right after the dubstep section, then they’re grabbing
their shirts and sliding. While the camera doesn’t show it outright, you can
sort of glimpse it real quick. First off that head slide while grabbing their
shirts is sick in itself. But in the split second before the camera view, and
in the corner of the screen you can see the legs moving along with it. I wish I
could get a better view, but if they’re doing what I think they’re doing (ie
pulling their leg with their head while the body stays still), that is epic.
Advice – I’ll mirror what the judges said, but just add that
other elemnt to their performance to take it over the edge. Maybe not an
illusion or trick. But a concept or a story. Also, what really hur them this
week was the blocking, even without the bad cameras. Paying attention to how
spaced out they are can really help them highlight their individual members
better.
Collizion - Low
Choreo – 7 - I think being the only crew from the
South/Atlanta is really giving Collizion the chance to stand out and be unique.
They have some very distinct moves from the Southern club scene that you won’t really see from other regions,
especially in this West-dominated season. That unique vibe from the step/groove
based movements helps their performance stand out, in a good way, especially
considering how clean they’re doing these moves.It’s sort of like Jungle
Boogie’s cranking, but in a more relaxed nature. They also have good foundation
with their popping/waving, though I think they should up the complexity of
those moves in the dubstep section, but the “looking at her” isolations were
dope as heck. Looking at the routine,
the contrast they would do between smooth movements and quick isolations and
grooving all came together to show their versatility subtly.
Wow – 8 – that being said, they also did have good “wow
moments.” It’s not like they’re overloading us, but they’re building up to each
one. The opening flying stunt was extra impressive as the guy wasn’t being
flipped over of his own accord, but more of thrown, and he landed as neatly as
he possibly could. The end karate chop part was also impressive in the
limbo/the core strength needed, and the flying granny to karate chop. As many
tricks as other crews? No. But the fewer tricks they used done in a smart way?
For sure.
Showmanship – 8 - One
of the things I really like about this crew is that they do try to be a bit
more interactive. The Lil Mama bit could have been a bit better, but they came
across in their routine and the use of their formations and bouncing around the
stage, as well as their facial expressions as playing to the crowd, a bunch of silly
guys. They also played with the lyrics (prefer with no clothes, turn around and
gave that booty a smack, hit the floor/get low). Also a note to crews doing
humor, I think this was one of the smarter ways to do it. It was silly, but
entertaining without being campy, and integrated in well and seamlessly. I also
liked their use of levels as well as the formation changes they went through
which you didn’t really notice until after the fact.
First Impression – 8 – I was, and I think many people were,
pleasantly surprised with Collizion. They definitely brought something
different than every other crew, with a more groove-based style that is so
characteristic of the South, specifically Atlanta. It also helped they came across
as playful guys, with a solid set of foundations and technique, from some
wow-moments to solid showmanship skills.
Total – 31
Highlight – At the beginning right after the throwing of the
guy, but right before the pantsing. That groove is SOOO characteristic of the
Dirty South, and something no other crew brings that I just have to highlight
it again.
Advice – I don’t actually have much advice to be honest. I
think when it comes to waving/dubstep, be careful that the difficulty level
there matches the rest of your routine. A simple V formation and some basic
waving won’t cut it.
Funkdation (Good Feeling)
Choreo – 8 – So one of the components of choreography is
“technique” and “foundation.” These guys may not be typical newstyle
choreography, but I think along with Mix’d Elements, they have shown themselves
to be one of the strongest foundation-based crews this season in street styles,
which must be commended (and expected if their inspiration is Mr. Wiggles). Not only did I see good bboying/rocking, waacking
popping, some locking, but they also were able to incorporate that Latin flavah
(which is interesting since bboying originally was influenced by Latin dances),
both in individual toprock/housing, as well as in their partner work. Some
isolations could have been cleaner, but they more than made up for it with
their hits. I will also say that one person was off time with their locking,
but other than that the form and such was correct.
Wow – 8 – Their opening is a classic example of a “wow”
moment that doesn’t need to be a stunt – creating a piano with their legs and
hitting it in time with the music? Genius. On top of that, they got a top-level
gymnast to do epic flips and twists, and bboy skills with mills to headspins?
Alright, nice.
Showmanship – 7 – They used the stage well in filling it and
reaching out with many transitions that you didn’t’ really notice. I think some
of the blocking (though it could have been camera) hid some members more than
would have been nice. But they still had good levels, the feel overall really
did remind me of n old school crew jamming, and presentation overall, with a
nice couple bit that was sort of humorous, was pretty good. The old school Mr.
Wiggles/bboy pose was the icing on the cake. I think if I had to criticize
anything, it would be that they could use a centralizing concept to really tie
their performance together, especially with the creativity of their piano
opening.
Impression – 8 – Definitely a pleasant surprise that there
are a lot of crews this season that have that old school foundation. I also dig
how they incorporate Latin elements into their routine, but not overtly so to
the detriment of other styles. They have creativity for sure, and technique.
Total – 31
Highlight – When they’re all in a circle and doing some
latin flavor things, it’s a weird fusion of uprock, house, and salsa hips that
works really really well for some reason, which I relaly dig for some reason.
Advice – I think the composition (ie how you break up the
time of your routine) could use a touch of work (not much). But spending a
really long time on an opening, and getting back into position for a less than
outstanding (even if it was artsy) ending eats up a lot of your limited time.
There were also a few moments when they slowed down, but it just seemed awkward
and an interruption to the flow of the song. Be efficient with your routines.
Also, make sure if you’re doing multiple people locking that it’s totally 100%
in sync.
Mos Wanted (In the Ayer)
Choreo – 8 – I wanted to give them a 9, but looking at last
week’s scores, I wouldn’t rank them higher than Fanny Pak, and I don’t want to
retroactively adjust scores. But moving on to the actual routine… Starting even
before the music to the “7, 8” of the counts, you knew that they were on to
something. They have so precise muscle control. I wouldn’t call it purely
isolations, but the way they seem animated doesn’t seem human. The agility and
speed of their movements are highlighted when contrasted to when they slow
down. When they do slow down they also have such body control that every single
part of the body is doing something. They switch speeds up so quickly from fast
to slow without getting lost. It was smooth, yet grimy at the same time. They
had swag and precision. Even when they
were being blown up as a balloon they showed the different types of illusions
they could create with their body.
Wow – 8 – Even when you don’t include Ricky’s crazy flips at
the end, you still have some very impressive moments, outside the
aforementioned choreography and body control. Jawn’s signature body spin is
crazy difficult to do without losing balance. The leg thread thing that Jawn, Brian and Jun all do to a foot drop
without falling on their butts was hella dope.
Showmanship – 9 – These guys are veterans of winning
multiple dance competitions, so its no surprise they have this category down
cold. The spacing was just enough so that the stage wouldn’t look mpty, while
at the same time it allowed each member to be seen. The transitions between
formations were so seamless and unnoticeable, be it via smooth footwork or
unique framing to work into position. Even the subtle things, like dancing to
lyrics (the spin to CD player, 747 with a plane miming, See you with the hand
over the eyes, This is my jam to a DJ motion, the hand in the air bouncing).
Even if they showed off that they could slow down and dance to different beats
and still keep time, they never really lost energy at all.
First Impression – 9 – Their performance was definitely for
me the best of the night. Which is to say a lot given that I think most of the
performances tonight were pretty good. They showed their professional expertise
in putting on a performance, while at the same time bringing back a style of
dance that we haven’t seen in a while on ABDC.
Total – 34 (-.5 bias) = 33.5
Highlight – The part when the mix randomly slows down with
machine sounds. I absolutely hate this part in the mix cuz it messes with the
flow of the entire song, but I highlight it because of what they did with it.
They instantly went from mid to high speed movements to instantly slowing it
down and by that contrast showing their body control. Look at their legs, and
that attention to detail is breathtaking.
Advice – I can’t really call this advice, since I don’t
think they need to “improve” per se on anything. But I think highlighting more
individual members would be really dope. It probably depends on the song you’re
given and who takes the lead on choreographing, But I really want to see
someone take the spotlight a bit more than a single flip, a la Jawn Ha’s “Outta
your mind” set. That, and I guess next week with Madonna, show off some more
styles – we’ve seen mad muscle control, so let’s see you guys swag it out and
just groove.
Overall, given these scores, I fully woulda expected
Elektroltyes to face elimination, rather than Funkdation. But in any case,
given what we got, we ended up having two of the most foundationally-strong
crews battle each other. Which begs, the question, what determines who wins a
battle? I have a prototype of a scale, based partially off of Bboy Dyzee’s OUR
system.
There are 5 categories, and whoever getes the most categories should
win.
Execution – Who completed their routine with better
technique/more difficulty/ fewer mistakes. Obviously if you goof up then you
don’t deserve to win the category. –In this case, I think both crews pulled off
their routines well, at a similar difficulty level. In fact, both crews went
IN, which I really appreciated. Funkd’s headhops were dope as anything,
probably the dopest move of the whole night actually, but on the average, Mid’s
was a higher level. Overall, this category is a TIE
Battle Mentality – Do you go after your opponent? There’s
choreography, and then choreography actually meant to “burn” or “attack” your
opponent. The crew that makes more attacks on the oppontent wins. – I think
here, Mix’d Elements took this category. From using martial arts in their
routine, to shaking their ass in Funkd’s face, to creating guns out of their
bodies, to calling them out, they just went in. Funkd’s smiling the whole time
wasn’t exactly a battle mindset either. – MIXD ELEMENTS
Response – A battle isn’t only about giving attacks, but how
well do you receive them. Do you call out opponents for being wack, do you one
up them? – I think Mix’d also took this category. First, they called out Funk’d
all throughout their first set, with showing they could do kick-ups just as well,
and mimicking their locking and choreography, showing how predictable/easy it
was to do. Second, they responded in their second set to Funkd’s uprock with
their own, more complicated uprock which is the ultimate form of one-upping and
responding to them. I know some people will say that they should have let Funkd
have their space to waack, but two things. First, I think the ABDC camera
angles could just have easily focused more on Funkd than Mixd, so it’s all a
matter of perspective. Second, on a philosophical level, a dance battle is
about keeping your space on the dance floor. Easily giving up space isn’t what
you should be doing, you should be fighting for it. – MIXD ELEMENTS
Variety – Can you show your potential for doing more on the
show? The more styles the better – This was really really close, but Funk’d
took it. Why? A simple count shows that both crews did locking, bboy/uprock,
and while Mix’d did use martial arts, Funk’d also showed waacking and old
school popping/boogaloo as well as their gymnast’s mad flips. – FUNKDATION
Overall, with a score of 2-1-1, I say Mix’d should have
taken the battle. However, I’m not necessarily too disappointed that they went,
since Funk’d really did battle well, it was really really close, and those
headhops were NASTY.
OVERALL RANKINGS
Based on my rankings alone, here are the rankings for
tonight
1) MWC = 34 (-.5) = 33.5
2) FUNKD/ CLZ = 31
4) RNG = 28
5) ELEK = 26
2) FUNKD/ CLZ = 31
4) RNG = 28
5) ELEK = 26
And including all the crews this week
1) Mos Wanted Crew = 34 (-.5) = 33.5
2) Fanny Pak = 32
3) Mixd Elements = 32 (-.5) = 31.5
4) Funkdation/Collizion = 31
6) Irratik/8 Flavahz = 29 (+.5) = 29.5
8) RNG = 28
9) Elektrolytes = 26
10) Step Boys= 26 (-.5) = 25.5
2) Fanny Pak = 32
3) Mixd Elements = 32 (-.5) = 31.5
4) Funkdation/Collizion = 31
6) Irratik/8 Flavahz = 29 (+.5) = 29.5
8) RNG = 28
9) Elektrolytes = 26
10) Step Boys= 26 (-.5) = 25.5
For next week’s rankings, I’ll apply the following bias
modifiers (I don’t retroactively go back and determine biases, I only apply
them moving forward)
-MWC = -.5 for the influence their dancers have on my own choreo style
-FNKD = -.5 for a bias for old school crews that have a lot of foundation
-CLZ = -.5 for a bias for being nostalgic for Southern Dancing
-8FLAV = +.5 for not being sure if their little kid-ness is getting in my way
-ELEK = +.5 for being very very annoyed with their lack of foundation
-MWC = -.5 for the influence their dancers have on my own choreo style
-FNKD = -.5 for a bias for old school crews that have a lot of foundation
-CLZ = -.5 for a bias for being nostalgic for Southern Dancing
-8FLAV = +.5 for not being sure if their little kid-ness is getting in my way
-ELEK = +.5 for being very very annoyed with their lack of foundation
POWER RANKINGS
These are based on both my rankings, the view count on
Youtube as of the Friday morning after their performance, and the judge’s
overall reaction (+ for a good response, - for a negative, and 0 for a
neutral), as well as other external circumstances.
1) MWC (33.5, 56730, +++) – Preseason favorites, and with
good reason. Not only did they deliver by my scale the strongest performance of
these two weeks, they have a rabid fanbase that will definitely keep them safe.
2) Fanny Pak (32, 8854, +++) – I actually in all honesty would rank Fanny Pak a bit lower given the possibility that people may not vote for them due to them expecting Fanny to last a long time with minimal help (a la Request, and to a certain degree how Blueprint was in bottom 2 most weeks), but on the expectation that they will absolutely wreck next week’s Madonna challenge, they will probably stick around for a few more weeks at the very least.
3) 8 Flavah (29.5, 14319, +++) – Combining the hype about these little girls, the expectedly femme challenge they’ll get next week, and a pretty decent showing, I think they’ll stick around at least one more week.
4) Collizion (31, 10744, +++) – This may surprise a lot of people, but I actually considered putting CLZ second. The reason I didn’t is the fact that next week’s Madonna week may not be to their strengths. However, their sole representation of the South (which before, got Jungle Boogie to 4th, once Royal Flush and Swagger Crew left), as well as a surprisingly strong first week can help them.
5) Funkdation (31, 12923, ++0) – I would tie these guys with Collizion, except I’m A) uncertain how strong Mexico/Hispanic support is for them, and B) what the effect of them beating Mixd Elements will be, ie people being annoyed with them. However, I think Funkd represented well in a battle, which should outweigh the negative reviews of “they should have gone home instead.”
6) Irratik (29.5, 12652, ++0) – While I expect them to do excellent during a femme-heavy Madonna week, Canada’s history with having problems voting, as well as the time frame we’ve had since their last routine may be playing against them. I think if they end up in the bottom two though, they shouldn’t have too much trouble staying in, unless it’s against Fanny Pak possibly.
7) RNG (28, 15883, ++0) – Unfortunately for this crew, I think they may be getting overshadowed in the choreography department by Mos Wanted, and in the kid department by 8 Flavahz’s hype. In addition, while these view number are higher, other numbers closer to the voting timeframe I believe indicated they were behind. Unless their support from the rest of the community is more hidden that I think it is, they may very face the bottom two next week.
8) Step Boys (25.5, 11393, 000) – I wouldn’t count them out, especially with their decent views this time last week, but we’ll see whether they adjust their humor to something more accessible, or whether they continue to rely on flips.
9) Elektrolytes (26, 13826, +00) – Given everything I said above about their need for stronger fundamentals, combined with the fact that next week, Madonna’s more poppy songs won’t let them go as hard in the same way that’s conducive for stunts, I don’t see them lasting as long as many would like.
2) Fanny Pak (32, 8854, +++) – I actually in all honesty would rank Fanny Pak a bit lower given the possibility that people may not vote for them due to them expecting Fanny to last a long time with minimal help (a la Request, and to a certain degree how Blueprint was in bottom 2 most weeks), but on the expectation that they will absolutely wreck next week’s Madonna challenge, they will probably stick around for a few more weeks at the very least.
3) 8 Flavah (29.5, 14319, +++) – Combining the hype about these little girls, the expectedly femme challenge they’ll get next week, and a pretty decent showing, I think they’ll stick around at least one more week.
4) Collizion (31, 10744, +++) – This may surprise a lot of people, but I actually considered putting CLZ second. The reason I didn’t is the fact that next week’s Madonna week may not be to their strengths. However, their sole representation of the South (which before, got Jungle Boogie to 4th, once Royal Flush and Swagger Crew left), as well as a surprisingly strong first week can help them.
5) Funkdation (31, 12923, ++0) – I would tie these guys with Collizion, except I’m A) uncertain how strong Mexico/Hispanic support is for them, and B) what the effect of them beating Mixd Elements will be, ie people being annoyed with them. However, I think Funkd represented well in a battle, which should outweigh the negative reviews of “they should have gone home instead.”
6) Irratik (29.5, 12652, ++0) – While I expect them to do excellent during a femme-heavy Madonna week, Canada’s history with having problems voting, as well as the time frame we’ve had since their last routine may be playing against them. I think if they end up in the bottom two though, they shouldn’t have too much trouble staying in, unless it’s against Fanny Pak possibly.
7) RNG (28, 15883, ++0) – Unfortunately for this crew, I think they may be getting overshadowed in the choreography department by Mos Wanted, and in the kid department by 8 Flavahz’s hype. In addition, while these view number are higher, other numbers closer to the voting timeframe I believe indicated they were behind. Unless their support from the rest of the community is more hidden that I think it is, they may very face the bottom two next week.
8) Step Boys (25.5, 11393, 000) – I wouldn’t count them out, especially with their decent views this time last week, but we’ll see whether they adjust their humor to something more accessible, or whether they continue to rely on flips.
9) Elektrolytes (26, 13826, +00) – Given everything I said above about their need for stronger fundamentals, combined with the fact that next week, Madonna’s more poppy songs won’t let them go as hard in the same way that’s conducive for stunts, I don’t see them lasting as long as many would like.
So yay. Next week we’ll see 9 crews perform on stage, to
Madonna. Not sure how they’ll adjust after Flo Rida, but hopefully we’ll be
pleasantly surprised. I'm convinced that this season we have not a single truly weak crew that doesn't belong at all, so big props to them all and to ABDC casting. Best wishes to Chris of Elektrolytes, I hope your knee
gets better. Big props to Mixd Elements for representing well, I hope to see
you all in person at some point in the future. Shoutouts to Molasses Gang (keep
it sugary), Nancy, Clarence, and Maxxann.
Until then
-Ninjaboi
-Ninjaboi
